Ann S. Epstein Writer

My Goodreads and Amazon review of Fire Exit by Morgan Talty (Rated 5) – Identity Crises. Fire Exit by Morgan Talty argues that we are all entitled to know our past, even if the truth is disorienting. Learning the whole story may fill in missing parts or provoke unasked questions. In Fire Exit, the issue is especially fraught because it deals with identity, namely the right to claim Native American identity if, lurking unbeknownst to a child raised as a full Indian, is a father’s non-native identity. Charles, the protagonist, was raised on the Penobscot reservation by his non-native mother and Indian stepfather with full knowledge of his story. He feels his daughter, conceived with his high school Penobscot girlfriend and now fully grown, is entitled to hers. The girl’s mother and indigenous husband, who raised the girl as his own, object. Entangled in Charles’s urge to tell his daughter her blood story is that his own mother’s memory is growing porous with Alzheimer’s. Moreover, he’s plagued by guilt that preoccupation with the girls’ birth kept him from preventing his stepfather’s death decades earlier. Fire Exit is replete with grief, remorse, mental illness, alcoholism, and death. Yet, the novel is not wholly bleak and morbid. On the contrary, Talty’s ineradicable faith in filial devotion and commitment to personal history is ultimately uplifting. As a writer myself (see my Amazon author page and Goodreads author page), I admire his refusal to shy away from difficult subjects with debatable answers. Fire Exit will make readers question their own stories. Warning: The choice not to know the truth comes at a price.

The benefits and costs of unknown identity

Why writers read: “To acquire the habit of reading is to construct for yourself a refuge from almost all the miseries of life.” – W. Somerset Maugham

My Goodreads and Amazon review of The Anthropologists by Aysegul Savas (Rated 3) – Bumpless. The Anthropologists by Aysegul Savas is a quiet book about the small pleasures of a self-contained couple. Asya and her partner Manu, each from different countries and living in yet a third country, are outsiders content to dwell inside their own relationship. They’ve even invented a tribal name and private language. Although they work — she as a documentary film maker, he at an unspecified nonprofit — there’s no passion behind their labors. Friends are satellites, one of whom orbits closely, but the others are props in the twosome’s routines. A plot, if one can be said to exist, is their search for a new apartment. They struggle to find one they like because they are too comfortable to imagine inhabiting a different space. Like anthropologists, Asya and Manu observe and occasionally join the action, but nothing penetrates their insular cocoon. Savas will convince some readers that a life lived this way, without conflict and drama, but also minus joy and excitement, is enough. It’s a reassuring message in a hectic world. Yet I found myself seeking more. A character-driven novelist myself (see my Amazon author page and Goodreads author page) , I nevertheless choose to invest my characters’ lives with significant events and challenges. Savas’s flat plain felt sad and empty. I would have preferred more bumps.

The uneventful life of an insular couple

Why writers read: “If I could always read I should never feel the want of company.” – Lord Byron

My Goodreads and Amazon review of Wrinkled Rebels by Laura Katz Olson (Rated 5) – Cross-Generational Appeal. Wrinkled Rebels by Laura Katz Olson is a nostalgia trip for those who, like me, were “Children of the 60s.” In fact, in an uncanny match, I’m the exact same age as the novel’s six New York City protagonists, entering college in 1963, becoming immersed in the anti-war and women’s movements, vowing to remain engaged as we graduated into the “adult” world. For readers of later generations, Olson’s book offers an entertaining survey course of that tumultuous era, told through the stories of its diverse cast of characters, three women and three men, who bond as freshmen and stay in sporadic touch during the ensuing decades. As a novelist myself (see my Amazon author page and Goodreads author page), I admire how Olson achieves a fine balance between detailed historical context and generous character development. The book is driven by the protagonists’ impending 50th reunion, prompting each to recall the past, assess the present, and evaluate how they shaped one another’s lives. Building toward the reunion, readers eagerly turn the pages of this skillfully written narrative with cross-generational appeal to those who reflect on life’s heady mix of predictable and unexpected outcomes.

Children of the 60s meet 50 years later

Why writers read: “Our favorite book is always the book that speaks most directly to us at a particular stage in our lives. And our lives change.” – Lloyd Alexander