Ann S. Epstein Writer

My Goodreads and Amazon review of Inseparable: A Never-Before Published Novel by Simone de Beauvoir (Rating 4) – Sartre Was Wrong! Inseparable, a heretofore unpublished novel by Simone de Beauvoir, is worth reading for Margaret Atwood’s introduction alone. There readers learn that de Beauvoir decided not to publish the book after the “great” Jean Paul Sartre dismissed its focus on the lives of young women as uninteresting and unworthy compared to existentialism’s significant themes. Sartre was wrong. The book IS indeed about the search for a raison d’être, among women living within the confines of religious, social, and intellectual expectations of post-WWI France. What transforms the book from didacticism into a moving novel is the story of the intense love the narrator Sylvie feels for her schoolmate Andrée, a lively rebel who is nevertheless bound by duty to her mother, social class, and God. The characters are barely disguised versions of de Beauvoir herself and her childhood friend Zaza. The novel captures the asexual passion that women carry for their girlfriends. Any woman who has been devastated by the end of such a relationship — whether from an irreparable rift, diverging lives, or death — will understand the enormity of the lingering fixation on the beloved and the pain of losing her. As a writer of historical fiction (see my Amazon author page and Goodreads author page), I admire how the picture of a particular place and time is balanced with universal portraits of unforgettable individuals. Just as Andrée (Zaza) stayed with Sylvie (Simone) for the rest of her life, so will the friendship between these inseparable girls live on in readers.

My Goodreads and Amazon review of Tender Cuts by Jayne Martin (Rating 5) – An Astonishing Range of Subjects and Emotions. The collected vignettes in Tender Cuts by Jane Martin cover an astonishing range of subjects and emotions. Many are mournful, depicting lives filled with bitter regret. In others, protagonists exact sweet revenge against those who have hurt or disappointed them. Tales that flow with melancholy break your heart, while quick jabs break the rhythm of your breathing. Each vignette is economical without being skimpy. After reading one, you never want more or wish for less. For example, in “Stepping Out,” Martin animates a coat rack and sums up a woman’s life in one finely observed paragraph. The success of brevity lies in finding a single word or phrase that captures a larger truth. As a writer myself (see my Amazon author page and Goodreads author page), I appreciated Martin’s skill at finding le mot juste or succinct combination of words that manage to encapsulate multitudes. Together, the short pieces in this compact book comprise a full and satisfying meal. Readers won’t go away hungry after consuming these tender cuts, and the satisfactions of dining on a memorable meal will endure.

My Goodreads and Amazon review of Wayward: A Novel by Dana Spiotta (Rating 4) – A Wayward Woman Finds a Way Forward. Samantha (Sam) Raymond, the protagonist of Dana Spiotta’s novel Wayward, is a well-to-do white woman whose reaction to going through menopause is extreme and yet entirely natural and predictable. Rarely do novels feature women in their fifties going through “the change,” and more rarely do they receive the attention Spiotta lavishes on Sam: ferocious and gentle, serious and funny, perplexed and insightful. Set in the aftermath of Trumps’ election, Sam’s own upheaval is contemporaneous with the country’s dislocation. She responds by impulsively buying a crumbling old house in a questionable area of downtown Syracuse, and leaving her kind husband and distancing teenage daughter in the suburbs. Sam fixes it up the house while seeking to repair herself and the world. Sam’s thoughts often dwell on her dying mother and growing daughter. As an author myself, who often writes about complex family relationships (see my Amazon author page and Goodreads author page), I was impressed by Spiotta’s ability to capture the push-pull of the mother-daughter bond. My only criticism of the book is that the social commentaries — the “smart” ruminations Spiotta is known for — sometimes became trite and tedious. I was eager to get back to Sam’s story. Likewise, the few sections written from her daughter’s point of view were distracting. What resonated was the honesty of Sam’s position, a middle-aged white woman looking for meaning in her own life and the national psyche. She doesn’t find a pathway to the latter, but in the continuity of women, from grandmother to mother to daughter, the wayward Sam finds a way forward for herself.