What I’m Reading: The Ones Who Remember: Second Generation Voices of the Holocaust

My Goodreads and Amazon reviews of The Ones Who Remember: Second Generation Voices of the Holocaust edited by Rita Benn, Julie Goldstein Ellis, Joy Wolfe Ensor, & Ruth Finkel Wade (Rating 5) – Inescapable and Unforgettable. We are all admonished to “Never Forget” the Holocaust, but for the children of survivors, remembering has a special significance. It requires bearing witness to the horrors their parents suffered. It pits a burning desire to know against a paralyzing dread of the anguish that probing for details will unleash. Remembering also means confronting the multi-generational trauma that children of survivors carry within themselves. The heartbreakingly honest collection of essays in The Ones Who Remember delves deeply into the scars carved into survivors and, in a unique contribution to Holocaust literature, the emotional and physical stamp left on the next generation. It is an inheritance these sixteen writers bear with pain and pride: the pain born of anxiety, depression, and the fear that one can never live up to their parents’ expectations or replace their inconceivable losses; the pride that swells for ancestors with the strength, wits, and determination to survive and begin anew. As a fiction and memoir writer myself (see my Amazon author page and Goodreads author page), I’m in awe of the complex portraits these authors paint of their parents, whose behavior ranges from smothering love to emotional numbness to fits of rage, and of themselves, whose reactions range from childhood puzzlement and resentment to adult empathy and forgiveness. This richly populated book is a tribute to the past and a testament to the future. The Holocaust’s casualties exceed the 6 million Jews and 5 million others murdered by the Nazis. A full count also includes the offspring who carry the memory in their DNA, marked as indelibly as their parents’ tattooed forearms.

What does “never forget” mean for the children of Holocaust survivors?
Why writers read: “Reading is an exercise in empathy; an exercise in walking in someone else’s shoes for a while.” – Malorie Blackman

What I’m Reading: Blood Up North

My Goodreads and Amazon review of Blood Up North by Fredrick Soukup (Rating 5) – Hope Among the Hapless. Some people are bad; others are stupid. Some folks try to be good or smart but keep messing up. That sums up the hapless characters in Fredrick Soukup’s gritty, lowdown, yet often hilariously over-the-top novel Blood Up North, whose body count threatens to rival Hamlet. Don’t trust anything anyone says because they’ll change their story by the next page, if not the next paragraph. Cassie, the plucky protagonist, seems to have learned this, but out of her inherent kindness and/or search for love, she occasionally appears gullible. Whether she actually is, or merely joins every other character in taking the rest for a ride, readers will have fun following the plot’s convoluted twists and turns, even if, like me, you lose track of where they’ve been or might be going. As a fiction writer myself (see my Amazon author page and Goodreads author page), I admire Soukup’s ingenuity and ability to sustain the story’s momentum. What ultimately steers this book and makes readers care about the outcome is Cassie. She’s tough yet surprisingly vulnerable, competent with lapses of helplessness, a veritable venison stew of unresolvable parts. The girl has been dealt a lousy hand and deserves to outwit her tormentors, who are motivated by greed, revenge, and male ego. Root for her. You’ll be rewarded in the end.

Digging deep and going over the top
Why writers read: “People can lose their lives in libraries. They ought to be warned.” – Saul Bellow

What I’m Reading: Joan is Okay

My Goodreads and Amazon review of Joan is Okay by Weike Wang (Rating 5) – Joan is Thriving. Joan is Okay by Weike Wang is a case study of human connection and cultural heritage. The protagonist, Joan, is a physician and the daughter of Chinese immigrants. Coworkers, neighbors, and family members, notably her brother and sister-in-law, cannot understand why she has no desire to get married or have children. Even Human Resources at the hospital where she works forces her to take a six-week leave for the sake of her mental health, a requirement which is itself a source of stress. Some readers may find Joan odd or lamentable, but I identified with her self-contained contentment. While I can’t attribute this trait to my cultural background, the peculiarities of my own family taught me to depend on myself. Many readers can claim the same. Rather than being a defense mechanism, finding pleasure in one’s work or solitary pursuits can be a source of genuine satisfaction. Oddly, so-called loners are often more understanding of others’ needs for intimacy than vice versa. They can empathize with the socially connected and yet, like Joan, look at themselves and decide they are more than okay. They are thriving. As a novelist myself (see my Amazon author page and Goodreads author page), I admire Wang’s ability to render a seemingly distant person like Joan as a fully developed and wholly sympathetic character. Readers will also admire this sensitive and well-told portrait.

The satisfactions of work and solitude
Why writers read: “Books are people who have managed to stay alive by hiding between the covers of a book.” – E. B. White

What I’m Reading: The Sentence

My Goodreads and Amazon review of The Sentence by Louse Erdrich (Rating 3) – Too Much, Too Soon. What is The Sentence by Louise Erdrich about? The novel meanders through crime and punishment, love, a large Native American cast, the pandemic, George Floyd’s murder, a bookstore ghost, and a line of rugaroos. By the end, you’ve consumed a whole sheet of half-baked cookies and wish you’d eaten only two fully baked ones. The current events, still raw, were even more so when Erdrich wrote about them. Writers, myself included (see my Amazon author page and Goodreads author page), choose different genres to serve different ends. Journalism is a contemporaneous report; memoir recaptures thoughts and feelings experienced in another moment. Fiction imagines and reflects, processes enhanced by time and distance. In her haste to comment, Erdrich feeds readers a lump of indigestible dough. She should have stuck to writing about that ghost, whose sections alone bring the book to life.

An indigestible mishmash of characters and events
Why writers read: “Know your literary tradition, savor it, steal from it, but when you sit down to write, forget about worshiping greatness and fetishizing masterpieces.” – Allegra Goodman

What I’m Reading: Small Forgotten Moments

My Goodreads and Amazon review of Small Forgotten Moments by Annalisa Crawford (Rating 5) – Relentless, Intense, Vivid. Annalisa Crawford’s novel Small Forgotten Moments is the story of Jo, a young artist plagued by an elusive character named Zenna whose image unconsciously dominates her work. Who is this mysterious child-woman, endearing one day, menacing the next? Jo, an amnesiac whose memory goes back no farther than three years, is desperate to find out. So is the reader. In describing Jo’s frustrating and frightening journey to unravel this knot, Crawford’s writing is as fearless as a gothic horror tale. She vividly evokes the hole of amnesia, a demon’s relentless drive, death by drowning, and the omnipotence of a child’s magical thinking. As a fiction writer myself (see my Amazon author page and Goodreads author page), I admire Crawford’s courage and willingness to make readers squirm. Withholding spoilers, I can say that Zenna’s identity is at once surprising and, given the deftly placed clues, inevitable. Though Jo’s case is freakish, Small Forgotten Moments is ultimately about the universal need to break free of whatever haunts us.

Writing as fearless as a gothic horror tale
Why writers read: “Books taught me that the things that tormented me most were the very things that connected me with all the people who had ever been alive.” – James Baldwin

What I’m Reading: Aviary

My Goodreads and Amazon review of Aviary by Deirdre McNamer (Rating 3) – Caged Characters. When Aviary by Deirdre McNamer was published, about a developer’s scheme to take over a retirement residence in pre-COVID Montana, I was already well into well into my novel-in-progress about a similar venture at an old age home, albeit set in 1960s Michigan. Hence, I read this book with curiosity about how the subject was treated, and dismay that another writer had beaten me to it. I was relieved to discover that while McNamer and I both tell our stories from multiple viewpoints, including seniors and other community members, our tales are otherwise quite different. Aviary is in many ways a mystery: Who is behind a fire in the building? Why have the manager and an elderly tenant disappeared? Is a troubled teenager connected to these events? I found the loose ends and far-fetched plot elements unsatisfying. Aviary is also meant to explore how the elderly come to terms with life’s disappointments and losses as they weigh how, or even whether, to go on living. However, among McNamer’s quirky and stereotypical characters, I was invested in the fate of only one, Cassie McMackin, whose portrait is itself sketchy. Ultimately, the varied cast is an aviary of caged birds, desperate to be freed by the author. As a fiction writer (see my Amazon author page and Goodreads author page), I don’t limit myself to likable protagonists. But they should be complex enough to make readers reflect on their motivations and assess the “fitness” of their actions. In the end, McNamer prizes the mysteries of plot rather than those of character.

Aviary fails to free its caged characters
Why writers read: “When I look back, I am so impressed again with the life-giving power of literature.” – Maya Angelou

What I’m Reading: Burnt Sugar

My Goodreads and Amazon review of Burnt Sugar by Avni Doshi (Rating 3) – Neither Acrid Nor Sweet Enough. I was frankly disappointed by Avni Doshi’s acclaimed novel Burnt Sugar. Her portrait of an artistic daughter’s abuse by her mother, now suffering from dementia, echoes too many others to offer a fresh perspective. As a visual artist, I hoped Doshi would describe the creative process of her protagonist, Antara, and render her drawings vividly enough for me to picture them. She does neither. As a writer (see my Amazon author page and Goodreads author page), I looked for finely observed details about the setting, fully developed characters, and revelatory interactions. While Doshi’s cultural commentary is intriguing, especially on the differences between the narrator’s Indian-born upbringing and her husband’s American-born Indian background, much of this rich territory goes unexplored. Nor did her images of Pune today, and the ashram where Antara and her mother lived during Antara’s childhood, provide the depth I wanted. The main drawback was that I wasn’t invested in the characters; ergo Antara’s secret and postpartum meltdown did not elicit much reaction. Burnt Sugar is neither acrid nor sweet enough to deliver a shiver of surprise nor the satisfaction of inevitability.

A novel about an abusive mother-daughter relationship
Why writers read: “We ought to read only the kind of books that wound or stab us. If the book we’re reading doesn’t wake us up with a blow to the head, what are we reading for? – Franz Kafka

What I’m Reading: Oh William!

My Goodreads and Amazon review of Oh William! by Elizabeth Strout (Rating 5) – A Spirit Who Steals People’s Hearts. Oh William! by Elizabeth Strout is nominally a short road trip that takes readers on a long journey. Ex-spouses but still good friends, Lucy Barton and William Gerhardt travel to Maine where he hopes to learn more about his late mother’s past. Lucy is grieving the loss of her beloved second husband, while William has had several head-spinning shocks of his own (which I’ll leave for the reader to discover). In their loneliness and sense of dislocation, they join for platonic companionship and comfort, a risky demand at best. Strout excavates the relationship between two people who know each other well, although not as fully as they believe. They fall into old patterns that get disrupted by new discoveries, about each other, and most important, about themselves. While William often remains hidden, guarded with others and not wholly trusted by readers, Lucy is open, honest, and thoroughly likeable. As William says to her, “You are a spirit. There has never been anyone in the world like you. You steal people’s hearts, Lucy.” He speaks the truth. However much William has gotten wrong in his life, in this he is correct. As a fiction writer (see my Amazon author page and Goodreads author page), I’m awed by the range of emotions that Strout expresses with the word “Oh.” She uses these two letters to convey deep sympathy, sharp pain, a dull ache, nudging insight, and utter surprise. From the book’s title to its final page, Strout deftly deploys deceptively simple language to bring readers another rich chapter in the life of the resilient Lucy Barton.

Strout’s deceptively simple prose reveals the depth of the incisive Lucy Barton
Why writers read: “A good book is an education of the heart.” – Susan Sontag

What I’m Reading: How Icasia Bloom Touched Happiness

My Goodreads and Amazon review of How Icasia Bloom Touched Happiness by Jessica Bell (Rating 5) – A Meditation on Mortality in a Vividly Imagined Future. Jessica Bell transcends the constrictions of most dystopian novels with a vividly imagined story that ultimately asks why we are put on earth and what our obligations are to ourselves – and especially to others — before we leave it. Icasia surprises herself, and the reader, as she evolves from being a shiftless “tatter” to a caring person. Bell’s futuristic setting is layered with an inventiveness that simultaneously evokes recognition and inspires awe. Her complex characters struggle with love in its many manifestations: parental, filial, romantic, platonic. They confront painful emotions: longing, loss, and despair. As a writer myself, (see my Amazon author page and Goodreads author page), I admire how Bell deftly juggles these elements. Her prose turns positively poetic at the end as she takes on the daunting challenge of defining something as elusive as “happiness” without sounding trite or treacly. If you want to know how you too can touch happiness, be touched by the wisdom in this book.

Inventive setting, complex characters, and satisfying resolution
Why writers read: A book can be a star, a living fire to lighten the darkness, leading out into the expanding universe.” – Madeleine L’Engle

What I’m Reading: Inseparable by Simone de Beauvoir

My Goodreads and Amazon review of Inseparable: A Never-Before Published Novel by Simone de Beauvoir (Rating 4) – Sartre Was Wrong! Inseparable, a heretofore unpublished novel by Simone de Beauvoir, is worth reading for Margaret Atwood’s introduction alone. There readers learn that de Beauvoir decided not to publish the book after the “great” Jean Paul Sartre dismissed its focus on the lives of young women as uninteresting and unworthy compared to existentialism’s significant themes. Sartre was wrong. The book IS indeed about the search for a raison d’être, among women living within the confines of religious, social, and intellectual expectations of post-WWI France. What transforms the book from didacticism into a moving novel is the story of the intense love the narrator Sylvie feels for her schoolmate Andrée, a lively rebel who is nevertheless bound by duty to her mother, social class, and God. The characters are barely disguised versions of de Beauvoir herself and her childhood friend Zaza. The novel captures the asexual passion that women carry for their girlfriends. Any woman who has been devastated by the end of such a relationship — whether from an irreparable rift, diverging lives, or death — will understand the enormity of the lingering fixation on the beloved and the pain of losing her. As a writer of historical fiction (see my Amazon author page and Goodreads author page), I admire how the picture of a particular place and time is balanced with universal portraits of unforgettable individuals. Just as Andrée (Zaza) stayed with Sylvie (Simone) for the rest of her life, so will the friendship between these inseparable girls live on in readers.

An unforgettable friendship
Why writers read: “Nineteen pounds of old books are at least nineteen times as delicious as one pound of fresh caviar.” – Anne Fadiman