Author: annsepstein@att.net

My Amazon and Goodreads review of The House of Broken Angels (Rating 4): A Multicolor Portrait of a Multi-generational Mexican-American Family – In his vivid multi-generational tale of a Mexican-American family, Luis Alberto Urrea offers up fallen angels (husbands, fathers, sons, brothers) and caregiving saints (wives, mothers, daughters, sisters). At times, I had trouble remembering the identities of third or even second generation characters, a confusion exacerbated by their multiple nicknames. And, even in context, the meaning of some Spanish expressions eluded me. Despite these gaps, I was drawn into the wild ride of life events and complicated relationships among the de la Cruz kin. Some are common to all extended families, others unique to a culture proud of itself yet shamed by a society that regards them as “less than” their white counterparts. Overall, the book has the zest, orneriness, kindness, rage, and spirit of a wild and crowded fiesta.

My Amazon and Goodreads review of Asymmetry (Rating 3): A Self-Referential Title for an Uneven Book — I’m baffled by the advanced buzz for Lisa Halliday’s Asymmetry, a three-part novel with uneven writing. The first section, about a young woman’s relationship with a famous older writer, said to be based on Philip Roth, no doubt explains the reviewers’ swooning. But while the Roth-like character is thankfully not portrayed as a creep (I’m an avid Roth fan), the woman is a cipher — inert and uninteresting. The power asymmetry in the unconnected second part, which confronts America’s war in Iraq, is more complex and promising, but undeveloped. It needs a book of its own. Part three, a fictitious interview with the writer, has extended riffs on the literary life that are worth perusing. However, the time is better spent reading real interviews with, and books written by, the authors one admires.

My Amazon and Goodreads review of Guts (Rating 5): Interweaving Illness, Family, and Friendship — Janet Buttenwieser rewards readers with three connected stories. First, the book is a moving memoir of how she found the confidence to speak up for herself to a medical establishment that claimed to know her body better than she did, and how she trained that body to take physical risks she never thought possible. Second, Guts is an appreciation of family, the body’s extension that sustains us when we’re ready to surrender and magnifies our joy when we’re already past bursting. The book’s third tale, which embodies the other two, is a testimonial to friendship. Buttenwieser honors the late friend who she gained through admiration, lost through inattention, regained through commitment, and lost again to cancer. Guts, guarantees that her friend will live within her, and her readers, forever.