Ann S. Epstein writes novels, short stories, memoir, essays, and poems. Please use the links or site menu to go to the HOME PAGE; learn about her NOVELS, SHORT STORIES, MEMOIR, ESSAYS, and POEMS; find interesting facts in BEHIND THE STORY; read REFLECTIONS on writing; check NEWS for updates on publications and related events; see REVIEWS; learn about her END-OF-LIFE DOULA credentials and services; and CONTACT US to send webmail.
Author: annsepstein@att.net
Ann S. Epstein is an award-winning writer of novels, short stories, memoirs, and essays.
My Amazon and Goodreads review of Weather: A Novel by Jenny Offill (Rating 3) – Reader Interest as Unsustainable as the Planet.Weather, a novel by Jenny Offill, is as satisfying as twee appetizers without a main course. In other words, not at all nourishing. Lizzie is a happily married woman with a well-adjusted young son and a brother who struggles with addiction, although not in crisis mode. Having dropped out of graduate school, she works in a university library and assists a former professor obsessed with climate change. Nothing changes for Lizzie. She has momentary twinges of fear about how to prepare for ecological disaster, but her life remains inert. The existential dread isn’t even very dreadful. Perhaps that’s the book’s message, that we fret yet do nothing. But as packaged in a somewhat random assortment of social-media length blurbs, the readers’ interest is no more sustainable than the planet. This quippy style seems to be a trend in recent fiction. It’s no longer experimental, and in the case of Weather, not even very imaginative. As an author myself (see my Amazon author page and Goodreads author page), who prefers books with well developed characters and engaging narratives, I worry that writers and readers like me are doomed to extinction.
Social media blurbs masquerading as a novelWhy writers read: “I have always imagined that Paradise will be a kind of library.” – Jorge Luis Borges
“You might think writers, longing to be permitted to sit with their own minds, would welcome the grand rupture brought by the coronavirus and its forced isolation. But, in fact, this extended isolation has been no romantic reprieve” (Writer Lydia Sviatoslavsky). Actually, I don’t mind. Perhaps that’s because I had no problem creating and valuing solitude in pre-pandemic days. Zoom is a surprisingly satisfying social link. While I miss hugs, a lot, up-close screen interactions offer an intimacy that sitting across a table doesn’t. Besides, as a writer, I always have my characters for company. For more thoughts about writing, see REFLECTIONS.
Writers have their characters for companyWhy writers write: “If a nation loses its storytellers, it loses its childhood.” – Peter Handke
My Amazon and Goodreads review of The Ratline: The Exalted Life and Mysterious Death of a Nazi Fugitive by Philippe Sands (Rating 5) – Family, Fanaticism, and Flight. Having myself written stories and novels centered on WWII (see my Amazon author page and Goodreads author page), I was eager to read The Ratline: The Exalted Life and Mysterious Death of a Nazi Fugitive by Philippe Sands. The author’s grandfather, a Jew, narrowly escaped death during the Holocaust. My own curiosity took a deeply personal turn when I read in the Introduction that Otto Wachter, the book’s subject, was the SS Officer who ordered the extermination of the entire Jewish population of the Polish city of Lemberg, the birthplace of Sands’s grandfather. My maternal grandparents, who came to America in the early 1900s, were also from Lemberg (then called Lvov in the Austro-Hungarian Empire; known as Lviv under Russian control). My grandmother’s sister (my great aunt) along with her husband, children, and grandchildren were among those Wachter sent to their deaths. So Sands’s quest became mine. The Ratline is actually three stories in one. The first narrative is a family saga about the love between Otto and his wife Charlotte, who shared his virulent antisemitism and turned a blind eye to its extremism; and the loyal attempts of their fourth child Horst, who barely knew his father but feels duty-bound to defend and find good in the man. Horst insists in the face of irrefutable evidence that his father was a humane administrator of civilian life, who had nothing to do with the Nazi death camps. Second, the book is a Nazi atrocity story about a man whose name deserves to be as well known as more familiar ones, like Himmler. The extent to which Wachter, a fanatic anti-Semite, was directly responsible for the deaths of hundreds of thousands is laid out in chilling detail, supported by documents and photos. While the Holocaust is the best known material in the book, it never ceases to horrify. Third, Sands tells a postwar story of Vatican and U.S. collaboration to aid the flight of Nazi war criminals to Argentina, or elsewhere, via the Ratline of the title. This tale was the most eye-opening for me. Driven by their shared animosity for Russia and communism, the Church and the CIA ignored Nazi atrocities in exchange for information on their Cold War enemy. Rare is the source interviewed by Sands who admits this assistance was motivated by hatred for the Jews as much as for the Reds. I doubt this disgrace will ever be fully acknowledged or held to account, but Sands has written a remarkable book that will sear its record into readers’ minds and hearts. Deftly integrating storytelling and facts, The Ratline is a valuable and unique addition to Holocaust literature.
A Holocaust story with a personal connection for the author, and meWhy writers read: “Thou shalt not is soon forgotten, but Once upon a time lasts forever.” – Philip Pullman
“Counterintuitive as it seems, the greatest gift we writers can offer the planet now is our contemplative practice. Our capacity to be deeply moved is what moves others. The pen is our sword but the strength to wield it comes from our willingness to listen, be changed, and bear witness” (Writer Elizabeth Jarrett Andrew). One benefit of the pandemic, for everyone, is slowing down. Staying in place forces us to stay with our thoughts. Writers should not be too quick to dash off their reactions to this strange time. Living with discomfort brings its own kind of comfort. For more thoughts about writing, see REFLECTIONS.
The pandemic slowdown grants us time to think before we pick up a penWhy writers write: “It’s none of their business that you have to learn to write. Let them think you were born that way.” – Ernest Hemingway
My Amazon and Goodreads review of GO: A Memoir about Binge-drinking, Self-hatred, and Finding Happiness by Jessica Bell (Rating 5) – The Healing Power of Creativity. Jessica Bell’s memoir is a straightforward story of a young woman’s journey from alienation to self-acceptance. She tries to connect with family and peers, while seeing herself as a disconnected and divided soul. Her struggles with alcohol, and her mother’s parallel fight to overcome drug addiction, are told in stark, often painful incidents. Ultimately, this book is about the healing power of creativity. Through making art, fiction, and above all music, Bell defies despair and builds a satisfying life that gives her a cohesive identity. As an artist and writer myself (see my Amazon author page and Goodreads author page), this book resonated with me, but it speaks to anyone who yearns to discover their own form of expression and make peace with their soul.
GO by Jessica Bell marches from darkness to lightWhy writers read: “We ought to read only the kind of books that wound or stab us. If the book we’re reading doesn’t wake us up with a blow to the head, what are we reading for?” – Franz Kafka
“I have come to approach beauty and neatness in art with skepticism. So far, the nascent literature of the coronavirus pandemic has reinforced my distrust. No one has had time to truly refine their ideas. In the shaky realm of literature, during a crisis in motion, mess and chaos are the forms that speak best to painful realities” (Writer and critic Lily Meyer). Agreed. While I prefer to record my thoughts after I’ve have some narrative distance, we also learn from experience captured in real time. However, those words have value only if they are not sugar-coated, but speak honestly about states of rawness and confusion. For more thoughts about writing, see REFLECTIONS.
Why writers write: “The most beautiful things are those that madness prompts and reason writes.” – Andre Gide
“I didn’t realize the world that used to run on cars now runs on Zoom” (Writer Marilyn Crockett, age 79). Comfy in my writer’s nest and connecting with the world via Zoom, I sometimes wonder if I’ll ever want to venture forth again. I teeter on the edge of agoraphobia. Then I do my tri-weekly grocery shopping and going out seems normal once more … until, twenty-four hours later, it begins to feel weird and scary again. Apparently, what I have dubbed “coroneurosis” isn’t unique to me. For more thoughts about writing, see REFLECTIONS.
Why writers write: “A blank piece of paper is God’s way of telling us how hard it is to be God.” – Sidney Sheldon
Bark (definition): A short, sudden laugh. My fifty-word story “Fido’s Lament” is now online at 50 Give or Take, 50-word stories published daily by Vine Leaves Press. Subscribers get a story in their email inbox every day. Read this one and bark (or indulge in a long, leisurely chuckle). To subscribe and/or submit your own story — both are free — go to 50 Give or Take. Everyone is welcome.
50 Give or Take: A story in your inbox every day. Subscribe, read, submit!Why writers write: “Because somewhere out there is someone who needs that story.” – Neil Gaiman
The Sister Knot, my novel-in-progress, progresses today with the help of coffee sipped from my new progressive mug. The novel, about a fraught but resilient female friendship that endures despite the damage of childhood trauma, is told from the alternating perspectives of Liane and Frima, World War Two orphans who survive on Berlin’s streets through cunning, theft, and prostitution. Brought to the United States by a Jewish refugee agency, their lives soon diverge when Frima is adopted and Liane is sent to a group home. The novel follows their seesawing relationship through school and work, marriage and motherhood, incarceration and death. As Liane says, “how people turn out is not always the way you’d predict.” Read about my published books in NOVELS.
“Without my morning coffee, I’m just like a dried up piece of roast goat.”– Johann Sebastian Bach
“Whatever the question, ‘writing’ is the answer. [But] how can little old me possibly manage something as vast as this pandemic? By writing one word after the next, the ending will appear” (Novelist Leslie Pietrzyk). I too am writing to the ending, but not to make sense of the pandemic. I simply write my way to the end of each story, much as I did before the pandemic. When the pandemic ends, I won’t have an answer for it. I’ll just continue to write. For more thoughts about writing, see REFLECTIONS.
Why writers write: “A word is never the destination, merely a signpost in its general direction, and that destination owes quite as much to the reader as to the writer.” – John Fowles