Author: annsepstein@att.net

My Goodreads and Amazon review of Family Lore by Elizabeth Acevedo (Rating 3) – For Insiders Only. Family Lore by Elizabeth Acevedo is the story of four Dominican sisters and two of their daughters. Men are tangential and, with one or two exceptions, not worth the trouble they cause. The six women propel the narrative, from their public gifts to their private parts. They make inspired pronouncements and unabashedly pleasure themselves. One sister foresees death in her dreams, another’s inner radar detects dishonesty, a third makes healing concoctions, and the fourth, lacking magical powers, channels the world’s pulse through dancing. The plot is driven by the second oldest sister’s decision to have a living wake. While she’s in good health; she’s determined to celebrate her life with her loved ones before she dies. The book’s chronology charts each woman’s actions and feelings before, during, and after this event. Their relationships to one another and to their heritage form the book’s substance. This is rich territory, yet I never fully immersed myself in the landscape. I repeatedly had to remind myself who was who. While the women’s individual stories are engaging, Acevedo fails to weave the intricate web of their “family” connections. Nor does Acevedo convey the “lore” of Dominican culture. She uses Spanish words without enough context for non-speakers to understand their meaning. As writer myself (see my Amazon author page and Goodreads author page), I take pains to avoid distancing readers from my characters in this way. I came to Family Lore eager to be welcomed into an intriguing family and be introduced to an underrepresented culture. Instead I often felt excluded from a narrative that was “for insiders only.” If I were invited to the wake, I would have nothing to say.

Women drive the narrative in this Dominican family

Why writers read: “There is no frigate like a book to take us lands away.” – Emily Dickinson

My Goodreads and Amazon review of The Shape of Normal: A Memoir of Motherhood, Disability & Embracing a Different Kind of Perfect by Catherine Shields (Rating 5) – Holding On, Letting Go. I approached The Shape of Normal: A Memoir of Motherhood, Disability & Embracing a Different Kind of Perfect by Catherine Shields from four perspectives: a reader; a writer (see my Amazon author page and Goodreads author page; a developmental psychologist specializing in early education; and a (grand)parent who wants those I love to get the best and be their best. Shields more than satisfied me on all those dimensions. Her memoir is an unstintingly honest, emotionally absorbing, and deeply personal narrative. It directly addresses the pros and cons of the educational, medical, and social-psychological systems designed to meet the needs of children with disabilities and their families. Above all, it invites readers to accompany Shields on her journey of discovery about her amazing daughter Jessica and, above all, herself. She doesn’t shy away from confronting the strains that having a child with disabilities places on a marriage and other siblings. Nor does she gloss over her own self-doubt, impatience, and anger. Shields hiked an uphill path, toting an image of what her child should be before letting go and accepting who she was. A good trekker, Shields faced each mile with better developed muscles and more inner strength. Then she wrote a perfect book.

A mother’s honest story of her journey to acceptance

Why writers read: “Books help us understand who we are and how we are to behave. They show us how to live and die.” – Anne Lamott

My Amazon and Goodreads review of Tom Lake by Ann Patchett (Rating 4) – Four on the Aisle. In Ann Patchett’s novel Tom Lake, three rapt daughters urge their mother, Lara, to tell them about her early days as an actress while they pick cherries on the family farm in northern Michigan. Patchett’s narrative shifts smoothly between youth’s infatuation and midlife’s contentment. As a writer of multi-generational novels (see my Amazon author page and Goodreads author page), I admire her cross-age agility. Unfortunately, Patchett is less facile differentiating between the daughters, other than identifying them as the horticulturist, the veterinarian, and would-be actress. Lara’s beloved husband is also a cipher. And her fellow actors in Our Town, the Thornton Wilder play whose wistfulness infuses the novel, are briefly interesting as characters, but never emerge as people. Perhaps this indistinctness is the inevitable result of a narrative dominated by the storyteller mother. I wondered whether Patchett, herself a storyteller, wanted to be Lara, swept up in a whirlwind youth before happily settling into writing and owning a bookstore. If so, I get it. As I read Tom Lake, I spun my own “back in the day” story for my daughter and grandsons. I expect other readers will do the same. I hope they’re satisfied with the tales they tell themselves, because Patchett’s, while entertaining, does not merit a standing ovation when the curtain comes down.

A novel infused with the wistfulness of “Our Town”

Why writers write: “Why am I compelled to write? Because the world I create compensates for what the real world does not give me.” – Gloria E. Anzaldúa