Reading a review of concert pianist Jeremy Denk’s memoir Every Good Boy Does Fine: A Love Story in Music Lessons, I wondered how a composer knows what note, chord, or musical phrase on which to end a piece. That led me to ponder how a writer knows just the right the word, phrase, or sentence with which to conclude a narrative. Satisfying musical and literary endings achieve two goals. They resolve what has come before, offering a sense of inevitability that the ending is exactly as it should be. Yet, that final note or word also resonates beyond the work. As a writer, I know when I’ve “landed” the ending. I don’t have a map or GPS to steer me. I simply trust that I’ll eventually get there. See more thoughts about writing at REFLECTIONS.


